BIO Ginger Wolfe-Suarez is an emerging sculptor, writer, and theorist whose work has used a combination of sculpture, ephemeral events, text, and performance to negotiate shifting concepts of memory- both historical, personal, imagined, and desired. The resulting installations convey mnemeticaly-situated relationships between unfixed memory and place- between experience and site. Materials have recently included wood, paint, latex, light, paper, and mirror to generate a cognizant and experiential path of the viewer's body throughout the work. She received her BFA from the School of the Art Institute of Chicago and her MFA from the University of California at Berkeley, and her work has recently been exhibited at Artist Curated Projects (Los Angeles), Silverman Gallery, Yerba Buena Center for the Arts, Mills College Art Museum, High Desert Test Sites, and a number of peripheral but equally important sites such as the sidewalk in-front of her house, and a neighbor’s doorway. Wolfe-Suarez’s writings have been published in various books, catalogues, and journals internationally, and she is currently collaborating with Cara Baldwin on WRITING IS ACTION, a book on emerging art criticism. From 2002-2008 Wolfe-Suarez was also a co-founder and Editor of InterReview Journal. During that time she was responsible for publishing writings and artist projects by Mary Kelly, Michael Asher, Suzanne Lacy, and Daniel Joseph Martinez, among others. Wolfe-Suarez teaches art criticism from 1700's to present, art theory with a focus on feminist and latin-american texts, philosophy of aesthetics, and studio critique. She is currently teaching in the Department of History and Theory of Contemporary Art at The San Francisco Art Institute. Contact Ginger at: ginger.wolfesuarez@gmail.com